Zhimo
CNY 20000
THE WAZHENG SERIES
Zhenpin Series Guzheng
Zhenpin Series
Our flagship line. Selected aged tonewoods, built entirely by hand, for professional players and collectors.
8 models in this series
Choosing Within the Series
| Model | Guide price | Positioning | Best for |
|---|---|---|---|
| Zhimo | CNY 20000 | Entry to stage and collection | Years of training, one-step upgrade |
| Zhiyan | CNY 21000 | Main performance model | Long-term study, ensemble players |
| Lanse | CNY 21000 | Modern tonal voicing | Contemporary works and stage |
| Zhixi | CNY 30000 | Professional performance | Teachers and performers |
| Zhijian | CNY 32000 | Daily practice | Regular practice, long ownership |
| Han-Tang Splendour | CNY 36000 | Flagship and gifting | Major concerts, recording, display |
| Zen Heart | CNY 90000 | Collector grade | Senior players and collectors |
| Zen Sound | CNY 108000 | Heirloom grade | Concert artists and masters |
What to Look For
The defining feature of the Zhenpin series is a top carved from a single block of paulownia. With the fibres left unbroken, resonance is fuller and decay longer. The trade-off is a low yield and far more hours per instrument, which is why a dugout of the same size costs more than a laminated one.
When choosing a dugout, check three things: whether the grain runs straight, whether the thickness is even (you can judge roughly by looking at the edge through the sound hole), and whether the bass has real depth. The first two decide whether the instrument will open up over time; the third decides whether it holds together in demanding repertoire.
This series suits players with several years of foundation who want to buy once, and collectors. If you are still building basics, the stability of the Kaoji series is easier to live with. For the trade-offs, see dugout, laminated and veneered tops explained.
Frequently Asked Questions
- What is the difference between a dugout and a laminated guzheng in the Zhenpin series?
- A dugout top is carved from a single block of paulownia with the fibres unbroken, giving fuller resonance and longer decay, at the cost of a much longer build. A laminated top is glued from several boards: more consistent and better value. Neither is absolutely better — it depends on your budget and what you want from the tone.
- Which players is this series for?
- Mainly players with several years of foundation, conservatory teachers and students, and collectors. A beginner with the budget can also start here, though we usually recommend stabilising your action on a consistent instrument first.
- Why is it more expensive than an ordinary guzheng?
- The cost sits in three places: the low yield of carving from a single block, the longer assembly and play-testing hours per instrument, and the higher timber grade. See our article "Why guzheng prices vary so widely" for a full breakdown.