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THE YANCHU SERIES

Performance Series Guzheng

Performance Series

Built for the stage: high volume and strong projection for professional ensembles, concerts and large venues.

6 models in this series

Choosing Within the Series

Performance Series Guzheng — positioning and audience by model
Model Guide price Positioning Best for
Mulan CNY 6500 Stage and rehearsal Touring ensembles, studio classes
Sparse Shadows CNY 6500 Fresh, bright voicing Modern works and crossover
Cloud Garment CNY 6500 High visual finish Public shows and broadcast
Only This Green CNY 9100 Themed stage model Competitions and exchange concerts
Hidden Orchid CNY 9100 Stage and exams Teachers who also perform
Golden Reverie CNY 9580 Top of the stage line Players aiming at the stage

What to Look For

The Performance series is built for the stage: more volume and stronger projection, so the sound still reaches the back of a hall without amplification. The soundbox and string tensions are voiced in that direction, at the cost of an action that feels a little firmer than a practice instrument.

If you usually play amplified, settle the amplification first: an under-bridge pickup responds to soundboard movement and rewards a clean, quiet instrument, while a clip-on microphone depends more on the instrument's own volume and projection. Getting the order wrong is an expensive mistake.

For orchestras and ensembles, buy one model in a single batch — mixing batches introduces tonal differences that show up in tutti passages. See ensemble programmes for configuration options.

Frequently Asked Questions

How different is the Performance series from the Grading series?
Mainly in orientation: Performance leans toward volume, projection and stage presence, while Grading leans toward stable action and honest feedback. Pick one primary direction for a given stage of study.
Is this series suitable for ensemble playing?
Yes. These models are built to stage standard with an outgoing voice that does not thin out at a distance. For ensemble procurement, buy one model in batch to keep consistency.
What should I watch on stage?
Avoid direct air-conditioning flow and prolonged lighting heat, and let the instrument return to room temperature before casing it, so condensation does not sit against the soundboard.

Further Reading

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