Chan Xin is a collector-grade dugout of the Zhenpin series, made in limited numbers. It is intended for senior players who play for depth rather than display, and for collectors; several concert artists keep one as a personal instrument.

Timber selection is close to uncompromising: the top must be straight-grained and flawless, and it is adjusted through repeated play-testing after carving. Bridges and nuts are matched to each individual instrument, and the assembly takes markedly longer than standard models.

The voice is restrained rather than striking: not chasing first-hearing brightness, but offering density and layering, a clean decay and detail that surfaces the more you play. It suits slow practice, solo repertoire and traditional pieces.

Keep a collector-grade instrument in a stable environment and keep a simple usage log. An annual professional check pays for itself — small issues are cheap, cracks are not.

For more on dugout construction and how it differs from laminated boards, see the difference between dugout and laminated guzheng.

Buying advice: this model is listed at CNY 90000, which is a higher price in the range of the 8 models in the Zhenpin series (prices run CNY 20000 to CNY 108000).Zen Sound (CNY 108000) is the next step up and is worth comparing if your budget is close. To keep the budget down, start from Han-Tang Splendour (CNY 36000). Bulk pricing is explained in How to order.

FAQ: What is the difference between a dugout and a laminated guzheng in the Zhenpin series? A dugout top is carved from a single block of paulownia with the fibres unbroken, giving fuller resonance and longer decay, at the cost of a much longer build. A laminated top is glued from several boards: more consistent and better value. Neither is absolutely better — it depends on your budget and what you want from the tone.

Suitable for: this dugout guzheng is aimed at professional players, serious amateurs and collectors. Zhonghong also supplies conservatories, ensembles and music shops with batch orders, configuring and tuning instruments uniformly. Schools, ensembles or institutions can use the enquiry form to tell us quantities and scenarios, and we will send a written quotation.